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75 Years of Collecting at Winterthur. Expanding the Collection With Innovative Inspiration
Born in a farmhouse in Wisconsin, Georgia Totto O’Keeffe is celebrated for her paintings of flowers –although factually recorded, they are so large, seen so close up, and so sumptuously colored that they verge on abstraction. She loved the vast American Southwest region where she found solitude as well as inspiration for the colors and picturesque shapes of the rocky landscape depicted in her paintings. Visit the two adobe homes in New Mexico of an artist described as a “loner.” Join Dr. Janetta Rebold Benton for this richly illustrated PowerPoint lecture tracing O’Keeffe’s life story, examining her creative process and sources of inspiration, as well as her complicated relationship with the gallerist and photographer Alfred Stieglitz.
40th Anniversary Luncheon Georgia O’Keeffe, American Modernist: From Lush Flowers to the New Mexico Desert
Beginning in the 1930s, a concerted effort began in France to rescue the centuries-old tradition of tapestry-making from economic collapse. This talk charts the revival of tapestry as a compelling modern art medium in France during and after the second world war, consider the trans-Atlantic nature of the revival, and follow the bumpy path towards recognition of tapestry as an original mode of artistic expression – a story still unfolding today.
Revivals and Revelations: Modern French Tapestry, 1930 to Today
Beginning in the 1930s, a concerted effort began in France to rescue the centuries-old tradition of tapestry-making from economic collapse. This talk charts the revival of tapestry as a compelling modern art medium in France during and after the second world war, consider the trans-Atlantic nature of the revival, and follow the bumpy path towards recognition of tapestry as an original mode of artistic expression – a story still unfolding today.
Collecting and the Pursuit of History
H. Richard Dietrich III will discuss decorative arts, showcasing highlights from the Dietrich American Foundation over its history, paying particular attention to furniture and also items related to the China trade, with an exhibition opening in June at the Lyman Allyn Museum of Art in New London, called China from China: Porcelain and Stories of Early American Trade. The foundation was established in 1963 and focuses on 18th and early 19th century American fine and decorative art, with a range of collecting areas, including furniture, silver, ceramics, paintings, books and manuscripts, as well as whale trade related art and artifacts. The foundation works with museums and cultural institutions to support their collections primarily through loans of objects, with the Philadelphia Museum of Art as its closest partner.
Afternoon tea will be served after the lecture.
Women Dressing Women: A Lineage of Female Fashion Design
Mellissa Huber, Associate Curator, The Costume Institute, The Metropolitan Museum of Art
This behind-the-scenes look at the recent Metropolitan Museum of Art exhibition Women Dressing Women explores the considerable impact of fashion created by and for women tracing a historical and conceptual lineage across over one-hundred years of design. Women’s progress in fashion is charted through the critical premises of Anonymity, Visibility, Agency, and Absence/Omission, celebrating the work of well known, forgotten, and emerging designers alike—all drawn from the incredible permanent collection of The Costume Institute.
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30 (guest fees can be paid online please click here)
Reservations: Greenwichdecorativearts@gmail.com
Picture: Melissa Huber
Verdura: The Image-Maker and His Women of Style
James Haag,
Managing Director, Verdura
Fulco di Verdura, a Sicilian Duke, will forever be associated with Coco Chanel, Cole Porter, Greta Garbo, Babe Paley, Tallulah Bankhead, and scores of legendary twentieth-century women who preferred style over status.
The presentation will trace Verdura’s design legacy from turn-of-the-century Sicily and 1920s Paris to 1930s Hollywood and the unfolding café society style revolution in 1940s and 1950s New York.
Verdura’s women of style will be profiled, as well as the enduring mark his work has left on modern fine jewelry design.
As a special treat, Jim will provide an intimate glimpse into Verdura’s role in the styling of the television show, Feud: Capote vs. The Swans, for which they loaned over 100 iconic pieces, including vintage jewelry owned by the original swans.
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30 (guest fees can be paid online please click here)
Reservations: Greenwichdecorativearts@gmail.com
Picture:VINTAGE GOLD AND DIAMOND "FEATHER HEADDRESS" TIARA
VERDURA, 1957
Verdura Museum Collection
Yellow gold and platinum tiara designed as a feather headdress, composed of 36 leaves, half diamond with gold veins and have gold with diamond veins, set with 1,223 diamonds.
Marjorie Merriweather Post’s Hillwood and the Vision from a Private Collection to Public Museum
Dr Rebecca Tilles, Senior Project Manager of Exhibitions at L'Ecole School of Jewelry Arts
Lecture on Zoom
Guests Welcome: There is no charge for lectures on zoom.
Reservations: Greenwichdecorativearts@gmail.com
Marjorie Merriweather Post in her Icon Room at Tregaron, Washington, D.C., 1950
Rogue's Gallery
Philip Hook, Board Member and Senior Director of Impressionist & Modern art in Sotheby’s London
Philip Hook takes the lid off the world of art dealing to reveal the brilliance, cunning, greed and daring of its practitioners. In a richly anecdotal narrative he describes the rise and occasional fall of the extraordinary men and women who over the centuries have made it their business to sell art to kings, merchants, nobles, entrepreneurs and museums.
From its beginnings in Antwerp, where paintings were sometimes sold by weight, to the rich hauteur of the contemporary gallery in London, Paris and New York, art dealing has been about identifying what is intangible but infinitely desirable, and then finding clients for whom it is irresistible. Those who have purveyed art for a living range from tailors, spies and the occasional anarchist to scholars, aristocrats, merchants and connoisseurs, each variously motivated by greed, belief in their own vision of art and its history, or simply the will to win.
Guests Welcome: There is no charge for lectures on zoom.
Reservations: Greenwichdecorativearts@gmail.com
Lecture on Zoom
Guests Welcome: Guest Fee $30 (guest fees can be paid online please click here)
Reservations: Greenwichdecorativearts@gmail.com
A Storied Past: Collections of Historic Odessa
Philip D Zimmerman, Author, Museum and Decorative Arts Consultant
An interest in early American furniture--has been constant throughout my career. My book on the furniture and other collections of two important houses (1771 and 1774) owned by the Historic Odessa Foundation in Odessa, Delaware. Each house retains many original furnishings and was actively preserved at a very early date. The resulting connections between objects and interpretive possibilities are extraordinary and have already spawned several smaller publications. Other furniture topics, notably the work of William Savery of Philadelphia, occupy my time and energy.
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30 (guest fees can be paid online please click here)
Reservations: Greenwichdecorativearts@gmail.com
An American Renaissance, Beaux-Arts Architecture in New York City
Philip Dodd, is an author and classically-trained architect who graduated from the Prince of Wales Institute of Architecture in London. His firm, Philip James Dodd Bespoke Residential Design LLC is now based in America with an office in Greenwich.
The Gilded Age, also referred to as the American Renaissance, is an era associated with unparalleled growth, technological advancement, prosperity, and cultural change. Spanning from the 1880s to the1930s it marks the first time that the titans of American finance and industry had more wealth than their European counterparts. As the center of this dynamic economy, New York City attracted immigrant workers and millionaires alike. It was not be enough for the self-appointed elite to just build their own grand chateaux’s and palazzo’s along Fifth Avenue, as collectively they dreamed of creating a new metropolis to rival the great cultural capitals of London, Paris and Rome. To fluent their newly acquired wealth they needed an architecture dripping in embellishment and historical reference. Enter the Beaux-Arts
For this special event hosted by The Greenwich Decorative Arts Society, Author Phillip James Dodd will discuss the five homes featured in his book – The Samuel Tilden Mansion (now The National Arts Club), the Joseph De Lamar Mansion (now the Polish Consulate), The Frick Collection, and the Otto Kahn and James Burdens (which now combine as the Convent of the Sacred Heart); as well as the patrons and architects that designed them; and collectively their influences on the television adaptation of The Gilded Age.
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30 (guest fees can be paid online please click here)
Reservations: Greenwichdecorativearts@gmail.com
How to Read European Decorative Arts
Danielle Kisluk Grosheide,
Henry R. Kravis Curator, Dept. Of Sculpture and Decorative Art, Metropolitan Museum of Art
Based on the publication with the same name, the speaker will discuss a number of artworks currently on display at the Met spanning three centuries of creativity. Providing a peek into daily lives across Europe, the featured pieces include furniture, tableware, useful items, articles of personal adornment as well as objects meant for display. Each work, either a masterpiece by a renowned maker or a less familiar article by a talented amateur, has its own fascinating story to tell.
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30 (guest fees can be paid online please click here)
Reservations: Greenwichdecorativearts@gmail.com
Flower
French (Vincennes), mid-18th century
Soft-paste porcelain, 1-1/4 x 2-15/16 c 2-3/4 in.
The Metropolitan Museum of Art:
Bequest of Mrs. Charles Wrightsman, 2019
(2019.283.61)
American Woman of Style
Jessica Glasscock, Author, Historian, Researcher, Professor at Parsons School of Design
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30
Reservations: Greenwichdecorativearts@gmail.com
Jacqueline Bouvier on her wedding day, with Jack Kennedy on the left slightly out of frame] [1953 Sept. 12]
Credit line: Library of Congress, Prints & Photographs Division, Toni Frissell Photograph Collection, [reproduction number, LOT 15412]
Conservatories, Orangeries and Greenhouses: Historical Precedent, Modern Relevance
Nancy Virts co-founder and Alan Stein, President and Director of Architecture Tanglewood Conservatories
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30
Reservations: Greenwichdecorativearts@gmail.com
Maryland Silver
Mark Letzer, former President and CEO of the Maryland Center for History and Culture
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30
Reservations: Greenwichdecorativearts@gmail.com
Cream Jug - Mark Letzer Family Collection
The Jazz Age: American Style in the 1920's
Stephen Harrison, Director and Chief Curator at the Munson Museum of Art in Utica, New York
Picture: US Rolls Royce
This lecture will be on zoom
“The Fascinating Life of Hearst Castle’s Architect Julia Morgan”
Victoria Kastner, Author and Lecturer
This lecture will be on zoom.
Jewelry For America
Beth Wees, Curator Emerita, The American Wing, The Metropolitan Museum of Art
Afternoon tea will be served after the lecture.
Guests Welcome: Guest Fee $30
Reservations: Greenwichdecorativearts@gmail.com
Picture: Brooch, Marcus & Co., ca. 1906
(2016.107)
Photo courtesy of The Metropolitan Museum of Art
The Great River- Art and Society of the Connecticut Valley
Willliam Hosley, Principal, Terra Firma Northeast - Cultural Resource Development Consultant
Guests Welcome: Guest Fee $30
Reservations: Greenwichdecorativearts@gmail.com
Afternoon tea will be served after the lecture.
PIcture: Hatfield 10-31-2022, Morton House c1760 CRV door 2
To Catch a Glimpse: The Newport Life of Doris Duke
Charles Burns is an Independent Curator and Newport Historian and a guest speaker at Sotheby’s Education in New York City.
Please note lecture is in the morning followed by lunch. Invitations will be sent out over the Summer.
We expect this lecture to be fully subscribed so it will be for members only.
Photograph: Doris Duke by Cecil Beaton, circa 1933
Holistic Gallery Restorations at the Isabella Stewart Gardner Museum
Holly Salmon, John L. and Susan K. Gardner Director of Conservation, Isabella Stuart Gardner Museum
Holly Salmon
Images: Courtesy of the Isabella Stuart Gardner Museum
Guests Welcome: Guest Fee $25
Reservations: Greenwichdecorativearts@gmail.com
Frederic Church’s Olana: A Global Artist’s Environment
William Coleman, Director of Collections and Exhibitions, The Olana Partnership
Picture: Olana on the Hudson River
Images Courtesy of The Olana Partnership
Guests Welcome: Guest Fee $25
Reservations: Greenwichdecorativearts@gmail.com
Forbes Pigment Collection at Harvard
Alison Cariens, Conservation Coordinator, Harvard Art Museums
Picture: Pigment samples in the Forbes Pigment Collection
Image Credits: Caitlin Cunningham Photography
Guests Welcome: Guest Fee $25
Reservations: Greenwichdecorativearts@gmail.com
The Lost Porcelain of WWII: Restitution and Ceramics
Lucien Simmons, Vice Chairman; Restitution Department, Sotheby’s, New York
THIS LECTURE IS ON ZOOM ONLY. IT IS HELD IN CONJUNCTION WITH THE CONNECTICUT CERAMICS CIRCLE
PLEASE NOTE DATE: MONDAY MARCH 13TH AND TIME 2PM
GUESTS WELCOME: FREE
RESERVATIONS GREENWICH DECORATIVEARTS@GMAIL.COM
Picture: Meissen purple-ground cream pot, cover and stand, Circa 1730-35. Courtesy Southebys
Stanford White
Francis Morrone, Architectural Historian and Author
Picture: Payne-Whitney House
Guests Welcome: Guest Fee $25
Reservations: Greenwichdecorativearts@gmail.com
David Webb
Levi Higgs, Head of Archives and Brand Heritage, David Webb, New York
PIcture: David Webb Jewelry Courtesy, David Webb Jewelry
Guests Welcome: Guest fee $25, reservations Greenwichdecorativearts@gmail.com
The Great Gilded Age Collectors: Morgan, Frick, De Young
Colin B. Bailey, Director, Morgan Library and Museum, New York
Picture: The Fragonard Room in the Frick Collection, New York (originally opened 1916) Courtesy of the Frick Museum
Guests Welcome: Guest fee $25, reservations Greenwichdecorativearts@gmail.com
Jacqueline Kennedy and H. F. du Pont: From Winterthur to the White House
Elaine Rice Bachmann, State Archivist and Commissioner of Land Patents, Secretary, State House Trust, Maryland State Archives, Annapolis, Maryland
Please note lecture is in the morning followed by lunch. Invitations will be sent out over the Summer.
We expect this lecture to be fully subscribed so it will be for members only.
Picture: Jacqueline Kennedy on the Montmorenci Staircase at Winterthur May 8, 1961, Courtesy of Winterthur Archives
Rooms with a View: History of Export Chinese Wallpaper from the Perspective of Gracie
Jennifer Gracie, Creative Director, Gracie Wallpaper
Reservations: greenwichdecorativearts@gmail.com - Guests welcome - $25.00
Picture: Ming GardenWallpaper - Conde Nast Replica Architectural Dining Room
Courtesy Gracie Wallpaper